The Incomparable

It’s time to take a trip back to Vietnam and discuss Spike Lee’s new film, “Da 5 Bloods”! We discuss Netflix’s decision to release the movie right now, the plot’s many twists and turns, and all of the ways Spike Lee incorporates references to other genres and directors. Plus, heaps and heaps of praise for the cast.

They should have sent a poet, but instead we sent ourselves to celebrate the 23rd (it’s a prime number, as any alien would know) anniversary of the Robert Zemeckis film “Contact”, starring Jodie Foster in an adaptation of the novel by Carl Sagan. How do we reconcile the film’s debate about science and religion? Is this really two movies in one? How showy are the film’s set pieces and special effects? We’re ok to go—otherwise this podcast would be an awful waste of space.

Our walkthrough of “Buffy the Vampire Slayer” continues with season 5, in which Buffy inherits a sister with retcon powers, the gang loses someone close to them, and everyone realizes it’s time to grow up. Also, the Big Bad thinks she’s prettier than Buffy, but when you spend all that time around a bunch of gnomish lackeys, your aesthetic sense is bound to get a bit skewed.

It’s not

Put on your Sunday clothes and get ready to patrol the trash heap that is Earth, because it’s time to discuss Pixar’s “Wall-E.” We cover the nearly dialogueless first act, whether the broader comedy on the B&L ship Axiom works, Fred Willard (RIP), and the greatness of Ben Burtt. Watch out for rogue robots!

We break down the third season of HBO’s “Westworld”, a show that we may appreciate more for the big swings that it takes rather than the number of times it actually connects. This just-finished season was messy, with one clear through-line and a bunch of other characters who are not served particularly well. We break down the character arcs for Dolores, Bernard, Dolores, Maeve, Dolores, Serac, and Dolores. There’s also praise for Marshawn Lynch (and his shirt), for the show’s continued excellent use of music, and we ponder who the emotional center of the show might actually be.

Old Movie Club takes on two distinctly different Raymond Chandler adaptations: 1946’s “The Big Sleep” (with Humphrey Bogart as Philip Marlowe) and 1973’s “The Long Goodbye” (with Elliott Gould as Marlowe). Both of them have twisty plots that unravel, leaving dead bodies behind. Women throw themselves at Bogie! Elliott Gould needs to buy cat food! Film Boir will never be the same.

We’ve completed our read of this year’s six Nebula Award nominees for best science fiction/fantasy novel of the year, and have returned with our opinions! And this year was a pretty good one, with very few of our readers experiencing the pain of bad books. From space opera to portal fantasy to Mexican mythology, there are almost certainly books on this list that will strike your fancy. Also, we debate the perennial question: Are planets in space?

Just sit right back and you’ll hear a tale A tale of a fateful show We drafted yet more TV themes And the theme song list did grow The guest list was a lengthy one The pickers came prepared If not for the courage of our editor The listeners would be scared So join us on your podcast app You’ll listen till you’re full It’s favorite TV theme songs Here on The Incomparable

Dan Moren joins Jason to discuss what went into writing his new novel, “The Aleph Extraction.” No spoilers for the story, but we do discuss how he builds characters, the optimal length of a novel, how writing a novel under contract is different from having years to write one without a publisher, and why Jason has access to the Galactic Cold War wiki.

This podcast is like a donut hiding inside the hole of another donut. That’s because we’re talking “Knives Out,” Rian Johnson’s twisty and clever murder mystery set in the family of a very rich and very awful family. We discuss the movie’s storytelling choices, debate whether it plays fair with all its flashbacks, ponder which of the family members is the least awful, and laugh about all the jokes. (And yes, if you listen to this episode before watching the movie, you’re a monster.)

Put on your best shaggy flannel, because it’s time to go back to the ’90s for another album draft! In this episode Jason is joined by a decade’s worth of panelists to choose our favorite music albums from the 1990s. And yet, somehow, some of our panelists were born in that very decade! Isn’t it ironic?

The final season of SyFy’s “The Magicians” is in the books, and we’re here to wrap it up, as well as share some overall thoughts on the series as the whole. But before we do that, we spend 17 minutes convincing you that it’s a show that’s absolutely worth watching.

Put on a white vest, climb in your Corvette, and whatever you do, don’t stir the cryo tanks! It’s the 50th anniversary of Apollo 13 and the 25th anniversary of “Apollo 13,” so we’re here to discuss Ron Howard’s film, starring Tom Hanks, Ed Harris and an enormous collection of character actors. The real-life story of Apollo 13 is so unlikely that if they made it into a movie, you’d never believe it—but in 1995 they did, and you will.

Engage! Season one of “Star Trek: Picard” is in the books, and so now it’s time to break it all down. Is Data’s death the overriding theme of the season? Does Picard’s final destination live up to the set-up? How did Hugh and Seven fare? Were the other visits from past cast members cheesy or good? How cool are Romulan warrior nuns? Who’s your favorite synth? And can storytelling ever be described as “lumpy?”

By the end of this episode we will sell several copies of “The Three E.P.s” by The Beta Band. It’s time to put on that horrible Cosby sweater and rearrange your record collection autobiographically. On the 20th anniversary of its release, we’re here to discuss one of our All-Time Top 5 movies featuring Lisa Bonet coming alive like Frampton, “High Fidelity.” Based on Nick Hornby’s novel, this film stars John Cusack as a bad boyfriend with a glimmer of hope at finding a clue, features a career-making performance from Jack Black as a gatekeeper fan with a surprising singing voice, and still resonates with us after two decades.

The Skywalker Saga is over—so what’s next for “Star Wars”? This week we’re suggesting potential directions for the franchise to go, on both the big and small screens. What kinds of movies should come next? Is Disney+ a development platform or the next big thing? Our team of franchise fans has no fiduciary responsibility and plenty of ideas!

This week we review the just-completed season of “Doctor Who.” It’s the second year for showrunner Chris Chibnall and star Jodie Whittaker, and this one felt like a real return to form after a tentative set of episodes in 2018. What do we make of the show’s canon-altering revelations? Which episodes were good and which ones were stinkers? How do you make the Cybermen interesting? How’s the fam holding up? Curl up in a haunted house—or just go sit on a lounge chair for three hours—and listen to this episode, followed by the Master’s TED Talk.

“Counterpart” is one of the best TV series in recent years, and in the U.S. it’s finally available in its entirety on Amazon Prime Video. In this episode, we generally discuss why this show is great and you should watch it, and then after the Spoiler Horn we dive in to discuss the show’s second and final season, how the world(s) come to be, and the meaning of the show’s final scenes.

We love NBC’s “The Good Place” so much, we couldn’t restrain ourselves to a single episode about its final season. Straight from The Medium Place, another group of Incomparable panelists wrap up The Good Place’s four-season run by walking through each season and reminiscing about the characters’ arcs. Plus, how well was the final season paced? Did we need more time to say goodbye to Team Cockroach?