The Incomparable

With the guiding hand of Prof. Siracusa choosing the curriculum, we watch select animated shorts from the Netflix series “Love, Death + Robots.” John’s quest to find the perfect photorealistic CGI animation continues. Tony does his companions a solid if he’s ever killed on a moon. The others debate if they represent love, death, or robots. We try to reconnect with our inner pool-polishing robots. It’s a real team effort. Jason Snell with John Siracusa, Annette Wierstra, Brian Hamilton and Tony Sindelar.

The second (and final?) season of the BBC/Disney+ collaboration era of “Doctor Who” is at an end, and so our crew of fans is here to pick up the pieces and ponder what went right and (unfortunately) what went wrong. Where does this franchise go from here? Jason Snell with Steven Schapansky, Erika Ensign, Chip Sudderth, Annette Wierstra and Heather Berberet.

We conclude (for now?) our coverage of the TV adaptation of The Wheel of Time, which was just canceled by Amazon. Three seasons in, we cover whether we think it is still worth watching despite cancellation (we do) and how well the show’s third (and final?) season fulfills the promise of it coming into its power. Moisés Chiullán with Sarah Hendrica Bickerton, Heather Berberet, Bryan Guffey and Kathy Campbell.

Our Awards Book Club continues its run through the roses with a tougher than expected review of Vajra Chandrasekera’s “Raksefall,” Adrian Tchaikovsky’s “Alien Clay,” and Kelly Link’s “The Book of Love.” Jason Snell with Scott McNulty, Aleen Simms and Erika Ensign.

Guillermo del Toro’s career started small, with the small-scale vampire (sort of) horror (sort of?) movie “Cronos,” in which an old man finds a mechanical object containing a magical bug that gives him eternal life in the bad way. Meanwhile, young Ron Perlman hates his evil uncle but continues to do his bidding! It’s a fun 1992 throwback that is still recognizeably del Toro. Jason Snell with Steve Lutz, Moisés Chiullán and Tony Sindelar.

From the skyscrapers of Coruscant to the pyramids of Yavin and with numerous stops in between, season two of “Andor” covers the rise of the rebellion and leads to the doorstep of “Rogue One: A Star Wars Story.” What makes it special among Star Wars series? Did season two improve on the groundbreaking first season? It’s Star Wars, so we break it down in detail. Jason Snell with John Siracusa, Dan Moren, Tony Sindelar and Steven Schapansky.

We return once more to 1995, this time for a movie set at the turn of the century! It’s “Strange Days,” a cyberpunk movie with only a little bit of cyber but a lot of punk, along with grease and stink. Jason Snell with Erika Ensign, Tony Sindelar and Monty Ashley.

The highest-grossing film of all time is straight-up sci-fi and yet in 15 years at this place we’ve never talked about it. That ends now, as we put on our oxygen masks and venture out into the moon of Pandora to meet the local Na’vi and the interloper Sky People and discuss why James Cameron’s “Avatar” became an enormous hit and then disappeared entirely (other than the theme-park attactions) until re-emerging with a sequel that was also an enormous hit. Jason Snell with Erika Ensign, Brian Warren, Brian Hamilton and Chip Sudderth.

Our walk through the 10 different novels nominated for the Hugo and Nebula awards in 2025 begins! In this episode we discuss “Sleeping Worlds Have No Memory” by Yaroslav Barsukov, “A Sorceress Comes to Call” by T. Kingfisher, and “Someone You Can Build a Nest In” by John Wiswell. Jason Snell with Erika Ensign, Aleen Simms, Scott McNulty and Heather Berberet.

The year is 1995. The films: “Hackers” and “The Net,” in which computers are proven to be dangerous for society. One is a ridiculous movie about teen hackers that knows it’s silly, and the other is a ludicrous thriller about adult hackers that doesn’t. Jason Snell with Monty Ashley, Shelly Brisbin, Erika Ensign, Joe Rosensteel, Moisés Chiullán and Tony Sindelar.

Huff some ether, dress for an ORTBO, and always keep an eye out for a private place beneath a tarp—we’re here to discuss the second season of “Severance,” a story that goes beyond the first season with some twists and turns that might be Kafkaesque, but are definitely Kafka-ish. Jason Snell with Brian Hamilton, Brian Warren, Dan Moren, Glenn Fleishman and Heather Berberet.

Spray on some insect repellant and don your hazmat suit, because Del Toro Club has re-formed to discuss a gigantic layer cake of infinite bugs, 1997’s “Mimic.” Parts of it are very Del Toro indeed, while other parts leave us scratching our heads about why something that had a whole lot of potential ended up playing as a pretty good B (not bee!) Movie instead. Are the Weinsteins to blame? (Yes.) Jason Snell with Moisés Chiullán, Steve Lutz and Tony Sindelar.

In a world full of creative projects turned into intellectual property, our panelists join together to choose remakes and reboots that please us, those that displease us, and those items that are out there, waiting to be remade. Jason Snell with Brian Hamilton, David J. Loehr, Erika Ensign, Lisa Schmeiser, Moisés Chiullán, Monty Ashley, Philip Michaels, Shannon Sudderth and Chip Sudderth.

Our Ghibli Club gets together to discuss 2016’s “The Red Turtle,” an unusual Ghibli coproduction, as well as this year’s Oscar winner for Best Animated Feature, “Flow.” Jason Snell with Steve Lutz, John Siracusa and Aleen Simms.

In honor of the 50th anniversary of “Saturday Night Live,” six of us create custom-built episodes of SNL by participating in a fantasy draft of sketches, hosts, musical guests, commercial parodies, digital shorts, and more. Jason Snell with Kelly Guimont, David J. Loehr, Lisa Schmeiser and Shelly Brisbin.

Book Club travels to the far future for the sci-fi/fantasy mash-up “Moonbound” by Robin Sloan. Here be dragons! Not to mention wyrd multidimensional witches at the bottom of a pool, Arthurian proto-heroes, friendly sentient robot hive minds, and plucky talking beavers! Jason Snell with Aleen Simms, Erika Ensign, Scott McNulty, Joe Rosensteel and Heather Berberet.

Arrakis. Dune. Desert Planet. But maybe not the one you’re thinking of. In our own very peculiar way we honor David Lynch by discussing the feature film he probably liked the least, 1984’s “Dune.” Sting with a knife! Patrick Stewart riding a sandworm! How does it all compare with the modern version? Does it have its own special lower-budget charms? (Don’t mention the voiceovers…) What about the voiceovers? And how much does nostalgia fit into our appreciation of this movie? Jason Snell with Steve Lutz, Erika Ensign, Dan Moren and John Siracusa.

From deep down in the lower levels to high up near the surface, we’re traveling through the post-apocalypic society of “Silo” on Apple TV+. Do eggs exist? What’s in daddy’s secret closet of mystery? Why are Pez dispensers outlawed? We begin with non-spoiler thoughts and then after the spoiler horn, we break down season one and two. (There are no spoilers for the Hugh Howey stories the show is based on!) Jason Snell with Heather Berberet, Glenn Fleishman, John Siracusa and Aleen Simms.

Live, from The Incomparable, it’s Jason Reitman’s “Saturday Night,” a film that purports to capture the 88 minutes before “Saturday Night Live’s” first live broadcast 50 years ago. All of our panelists agree it’s a well-made movie. There are many actors and comedians playing actors and comedians. But does it all hold together? Lex Friedman with Monty Ashley, David J. Loehr and Kelly Guimont.

Blending classic Disney animals with a mysterious Miayazki forest, “The Wild Robot” is a story of overcoming your programming and not allowing yourself to become trapped in loops of behavior—whether you’re a robot or maybe even a human being. Jason Snell with Brian Warren, Brian Hamilton, Annette Wierstra and Katie Mack.