The New Yorker: Politics And More

For decades, the United States backed efforts to achieve a two-state solution—in which Israel would exist side by side with the Palestinian state, with both states recognizing each other’s claim to contested territory. The veteran negotiators Hussein Agha, representing Palestine, and Robert Malley, an American diplomat, played instrumental roles in that long effort, including the critical Camp David summit of 2000. But, in their new book, “Tomorrow Is Yesterday,” they conclude that they were part of a charade. There was never any way that a two-state solution could satisfy either of the parties, Agha and Malley tell David Remnick in an interview. “A waste of time is almost a charitable way to look at it,” Malley notes bitterly. “At the end of that thirty-year-or-so period, the Israelis and Palestinians are in a worse situation than before the U.S. got so heavily invested.” The process, appealing to Western leaders and liberals in Israel, was geared to “find the kind of solutions that have a technical outcome,

The Washington Roundtable discusses the fatal shooting of the right-wing activist and Donald Trump ally Charlie Kirk, who was killed on Wednesday during a speech on a college campus. The panel considers whether the United States risks tumbling into a spiral of political violence, and how the Administration might use this moment to justify a crackdown on political opponents. This week’s reading: “Did Trump Just Declare War on the American Left?,” by Susan B. Glasser “MAGA Reacts to the Assassination of Charlie Kirk,” by Antonia Hitchens “Charlie Kirk’s Murder and the Crisis of Political Violence,” by Benjamin Wallace-Wells “The Epstein Birthday Book Is Even Worse Than You Might Realize,” by Jessica Winter Tune in wherever you get your podcasts. The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the

Fergus McIntosh, the head research editor at The New Yorker, joins Tyler Foggatt to discuss how the magazine is approaching fact -checking in the second Trump era. They talk about how the spread of disinformation and deepfakes has changed the work of verifying facts; why Trump has been more aggressive, in his second term, about restricting the release of government data; and what makes his particular style of spreading falsehoods so difficult to counter. This week’s reading: “The Latest Phase in Trump’s War on Data,” by Fergus McIntosh “Inside the Chaos at the C.D.C.,” by Charles Bethea “Social Media Is Navigating Its Sectarian Phase,”by Kyle Chayka  “Brazil Braces for a Verdict on Its Ex-President—and on Its Democracy,” by Jon Lee Anderson “Does Society Have Too Many Rules?,” by Joshua Rothman Tune in to The Political Scene wherever you get your podcasts. The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics

Speculation, analysis, and commentary circulated all summer, after the announcement, in June, that Anna Wintour would step back from her role as the editor-in-chief of American Vogue. This changing of the guard is uniquely fraught, because Wintour’s name has become nearly inextricable from the magazine, to a degree almost unknown today. And, as New York Fashion Week was set to begin, Wintour spoke with David Remnick about choosing her successor, the Vogue.com editor Chloe Malle. “It felt like this was the right time,” she says. With an unusual number of new creative directors in positions at major fashion houses, “It seemed like a good moment to bring in someone with a different perspective and a different generation who could look at things in a new way.” Wintour was appointed editor-in-chief in 1988, and generations of designers have come up under her famously acute and decisive judgments. She comes from a publishing family; her brother is a well-known journalist, and her father was the editor of the London

The Washington Roundtable, hosted by the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos, is back in season. The co-hosts reflect on the news of this summer, discussing President Trump’s imposition of tariffs on nearly every major U.S. trading partner; his deployment of the National Guard on the streets of the capital; and his purges of agencies including the Department of Justice, the Bureau of Labor Statistics, and the Centers for Disease Control and Prevention. They also discuss what Trump might use emergency powers to do in the near future. “You don’t acquire all this power, and go to all this effort, and then not start to use it,” Glasser says. This week’s reading: “How Many Court Cases Can Trump Lose in a Single Week?,” by Susan B. Glasser “Trump’s Department of Energy Gets Scienced,” by Bill McKibben “Texas Democrats’ Weapons of the Weak,” by Rachel Monroe “Do State Referendums on Abortion Work?,” by Peter Slevin Tune in wherever you get your podcasts. The Political Scene draws on the r

The New Yorker contributing writer Ruth Marcus joins the guest host and staff writer Clare Malone to discuss Marcus’s recent profile of U.S. Attorney General Pam Bondi. They talk about Bondi’s political origins and her unprecedented reshaping of the Justice Department, and how she delivers on President Trump’s desire to use the legal system for revenge and retribution. They also touch on Bondi’s mishandling of the Jeffrey Epstein case, which has drawn the ire of both Democratic politicians and core parts of the President’s base.  This week’s reading: “Pam Bondi’s Power Play,” by Ruth Marcus “Texas Democrats’ Weapons of the Weak,” by Rachel Monroe “Do State Referendums on Abortion Work?,” by Peter Slevin “Why Don’t We Take Nuclear Weapons Seriously?,” by Rivka Galchen “How Robert F. Kennedy, Jr.,’s Anti-Vax Agenda Is Infecting America,” by Isaac Chotiner Tune in to The Political Scene wherever you get your podcasts. The Political Scene draws on the reporting and analysis found in The New Yorker for livel

The term “culture wars” is most often associated with issues of sexuality, race, religion, and gender. But, as recent months have made plain, when Donald Trump refers to the culture wars, he also means the arts. He fired the board of the John F. Kennedy Center for the Performing Arts, which Republicans want to rename for him. His Administration fired the national archivist and the Librarian of Congress, and pressured the director of the National Portrait Gallery to resign; it is reviewing the entire Smithsonian Institution, looking for what the President calls “improper ideology.” Some view these moves as low-hanging fruit for Trump, and a distraction from bad press about Jeffrey Epstein, the Putin meeting, and tariffs. But Adam Gopnik believes that interpretation is a misreading. The loyalty purge at institutions such as the National Portrait Gallery is a key part of his agenda. “Pluralism is the key principle of a democratic culture,” Gopnik tells David Remnick. Could we be following the path of Stalinist R

The Democratic strategist Lis Smith joins the guest host Clare Malone, a New Yorker staff writer, to discuss the state of the Democratic Party, and how a decade of reliance on anti-Trump rhetoric has left Democrats reactive and directionless. They consider why groups that Democrats once counted on—from young people to communities of color—are shifting rightward, and what new strategies politicians from Gavin Newsom to Zohran Mamdani are testing to prove that the Democratic Party stands for more than opposition to Trump. This week’s reading “The Trump Administration’s Efforts to Reshape America’s Past,” by Jill Lepore “How Former Biden Officials Defend Their Gaza Policy,” by Isaac Chotiner “The Endless August Recess,” by Antonia Hitchens “The Enormous Stakes of Trump’s Effort to Fire the Fed Governor Lisa Cook,” by John Cassidy “What’s Life Like in Washington, D.C., During Trump’s Takeover?,” by Margaret Talbot Tune in to The Political Scene wherever you get your podcasts. The Political Scene draws on th

Since the end of the Cold War, most Americans have taken U.S. military supremacy for granted. We can no longer afford to do so, according to reporting by the staff writer Dexter Filkins. China has developed advanced weapons that rival or surpass America’s; and at the same time, drone warfare has fundamentally changed calculations of the battlefield. Ukraine’s ability to hold off the massive Russian Army depends largely on a startup industry that has provided millions of drones—small, highly accurate, and as cheap as five hundred dollars each—to inflict enormous casualties on invading forces. In some other conflict, could the U.S. be in the position of Russia? “The nightmare scenario” at the Pentagon, Filkins tells David Remnick, is, “we’ve got an eighteen-billion-dollar aircraft carrier steaming its way toward the western Pacific, and [an enemy could] fire drones at these things, and they’re highly, highly accurate, and they move at incredible speeds. . . . To give [Secretary of Defense Pete] Hegseth credit,

The Washington Roundtable speaks with Jeffrey Rosen, the president and C.E.O. of the National Constitution Center, a nonpartisan nonprofit, about how America’s founders tried to tyrant-proof their constitutional system, how Donald Trump’s whim-based decision-making resembles that of the dictator Julius Caesar, and what we can learn from the fall of the Roman Republic. Plus, how the Supreme Court is responding to the Trump Administration’s broad claims of executive power.  Rosen, a professor at George Washington University Law School, hosts the “We the People” podcast and is the author of “The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.”  This episode originally aired on March 7th, 2025 The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, t