This Jungian Life

While many of Hans Christian Andersen’s 19th-century stories have moralizing motifs, their universality and depth places them among ageless fairy tales. Although The Princess and the Pea and The Emperor’s New Clothes are social satire, they also depict psychic dynamics. A young prince searches but cannot find a mate—until a princess arrives one stormy night, soaking wet and mind-blowingly over-sensitive. Do opposites attract, or are they only contrasting representations of superficiality and entitlement? Andersen’s pen next delivers the famous emperor an even more pointed jab: a child, innocent of the contrivances of social status, blurts truth: he has no clothes! Perhaps each of us has an inner emperor whose shadow is on unwitting public display—and a wise child. If Andersen has little regard for self-aggrandizing conceits, The Ugly Duckling depicts compassion for suffering and the downtrodden. Despite abuse and exile, the ugly duckling responds to springtime’s jubilant beauty. He takes wing, answering the c