Folger Shakespeare Library: Shakespeare Unlimited

Tracy Chevalier, author of "Girl With a Pearl Earring," takes on the tragedy of "Othello" in her latest novel, part of the Hogarth Shakespeare series. But in a twist, she moves the action to a public elementary school playground in Washington, DC, in the early 1970s. The book, titled "New Boy," uses its distinctive setting to explore issues of discrimination, betrayal, alienation, and jealousy. In this episode, Tracy talks about the book, her inspirations, and the challenges of working with, and under the shadow of, Shakespeare. Tracy Chevalier was interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published May 31, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, "The Property of Youth and Maidhood," was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Melissa Marquis as NPR in Washington and Angie Hamilton-Lowe at NPR-West in

In 2014, Shakespeare’s Globe in London sent a group of actors on a two-year tour to perform "Hamlet" all around the world. They finished on the 400th anniversary of Shakespeare’s death in 2016, after having traveled 193,000 miles and performed in 197 countries. Dominic Dromgoole, the Globe’s Artistic Director at the time, has written a book about the tour called "Hamlet Globe to Globe." Tom Bird is the Globe’s Executive Producer who managed the tour from London and also traveled to 19 of the countries that "Hamlet" visited. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published May 16, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “So Many Journeys,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Cecily Meza-Martinez at NPR in Washington, Neal Roush at NPR in New York and Gareth Wood at The Sound Company in Lond

What exactly counts as a Shakespeare adaptation? And why bother in the first place? In this podcast episode, we talk with three writers who have wrestled with these questions. Craig Wright is a TV writer and showrunner whose play, Melissa Arctic, a retelling of "The Winter’s Tale" set in rural Minnesota, premiered at Folger Theatre in 2004 and went on to play across the country. Chris Stezin’s play "Mac, Beth," which just ended a run at DC’s Keegan Theater, involves a businessman and his PR executive wife plotting to kill the CEO of Duncan Enterprises. Washington Post humor columnist Alexandra Petri’s new play "Tell My Story" – Hamlet in the world of online fan fiction – opens this summer as the next work by the DC playwrights collaborative The Welders. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published May 3, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “It Is A Copy Out Of Mine” was produced by Richard Paul. Garland Scott is the ass

To commemorate the 400th anniversary of Shakespeare’s death in 2016, Chicago mobilized the city’s cultural and administrative resources in an unprecedented way. Barbara Gaines, founder and Artistic Director of Chicago Shakespeare Theater, reflects on the "Shakespeare 400 Chicago" anniversary celebration. She was interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published April 18, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “In This City Will I Stay” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Hannah Kennedy and Alida Szabo at Chicago Shakespeare Theater, Collin Ashmead-Bobbitt at WBEZ in Chicago, and Jake Gorsky and Jeff Peters at the Marketplace studios in Los Angeles.

Shakespeare is famous today thanks in no small part to two members of his acting company, John Heminge and Henry Condell, who published a collection of his plays seven years after his death. Lauren Gunderson has written a new play called "The Book of Will" that portrays Heminge and Condell, along with their families and everyone involved in gathering and creating the First Folio. From the Shakespeare Unlimited podcast series. Published April 4, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “You That Survive, And You That Sleep In Fame,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Melissa Marquis at NPR in Washington and Monty Carlos at KQED in San Francisco.

You can find Shakespeare in all sorts of places, including the Fox TV series "Empire." From its very beginning, "Empire" has fashioned itself on the plot of "King Lear." And that's not the only Shakespeare connection to the program, as Ilene Chaiken, showrunner and executive producer for "Empire," explains. She was interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published March 22, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “The world in empire,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Jeff Peters at the Marketplace studios in Los Angeles.

In 2015, a new musical called "Something Rotten!" opened on Broadway. The plot: Two brothers living in England in 1595 have had their playwriting careers upended by the arrival of a new guy from Stratford upon Avon. Wayne and Karey Kirkpatrick, brothers who co-wrote the music and lyrics for Something Rotten!, are our guests on this episode of Shakespeare Unlimited. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published March 7, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “Play On,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Cameron Adkins at WPLN in Nashville and Brian Allison at the Marketplace studios in Los Angeles.

A few months ago, Oxford University Press decided that in the New Oxford Shakespeare, the plays Henry VI, Parts 1, 2, and 3 would no longer be listed as having been written by Shakespeare alone. Instead the title pages will say: “By William Shakespeare and Christopher Marlowe.” To discuss how this kind of author attribution happens, we have Folger Director Michael Witmore and Eric Rasmussen, chair of the English department at the University of Nevada, Reno. They’re interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published February 21, 2017. © Folger Shakespeare Library. All rights reserved. “As if a Man Were Author if Himself” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Michele Ravera at radio station KUNR in Reno, Brian Allison and Jeff Peters at the Marketplace Studios in Los Angeles, and Melissa Marquis at NPR Headquarters in Washington.

Starting in the 1930s, people began sending letters asking for advice on love and romance to Verona, Italy—addressed to Juliet. In 2014, a lovelorn Canadian high school teacher traveled to Verona over summer vacation to volunteer as one of “Juliet’s secretaries.” The experience changed his life—and his perspective on Shakespeare’s star-crossed lovers. From the Shakespeare Unlimited podcast series. Published February 7, 2017. © Folger Shakespeare Library. All rights reserved. “Any man that can write may answer a letter” was produced by Richard Paul. Garland Scott is the Associate Producer. It was editing by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Jeff Muller at Alchemy Studios in Calgary, Alberta and Jake Gorsky and Jeff Peters at the Marketplace Studios in Los Angeles.

When we think of Shakespeare in the American West, Hollywood immediately comes to mind, but this podcast also takes us back to the California Gold Rush and the Americans who brought Shakespeare with them when they flooded westward. Stephen Dickey, a senior lecturer in the English Department at UCLA and the curator of “America’s Shakespeare: The Bard Goes West,” is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published January 24, 2017. © Folger Shakespeare Library. All rights reserved. “The West Yet Glimmers With Some Streaks Of Day” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from Brian Allison and Jeff Peters at the Marketplace studios in Los Angeles.

Since 2002, Gregory and Jeffery Ameen Qaiyum, better known as G.Q. and J.A.Q – the Q Brothers – have been using hip-hop to adapt and update the plays of William Shakespeare. At the time we recorded this podcast, their show Othello: The Remix was running off-Broadway at the Westside Theater. They were interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published January 10, 2017. © Folger Shakespeare Library. All rights reserved. “Something Then In Rhyme” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. We had help from Alana Karpoff and Rachael Singer of the theater management company, Jeffrey Richards Associates; Angie Hamilton Lowe at NPR-West in Culver City, California; and Devin Mellor & Camille Smiley at NPR in New York.

While print sales of adult fiction are down in the last decade, the juvenile market – which includes young adult literature or "YA" – has actually gone up 40 percent. In this episode, two YA authors talk about their writing, their audience, their inspirations, and the role that Shakespeare plays in all of it. Molly Booth’s first novel, "Saving Hamlet," was published in 2016 by Disney-Hyperion. It tells the story of an American teenager who time-travels back to Shakespeare’s Globe during the original production of "Hamlet." Ryan North, best known as the creator of Dinosaur Comics, is the author of two titles that take a “Choose Your Own Adventure” approach to Shakespeare. "To Be Or Not To Be" was originally self-published in 2013 and was Kickstarter's most-funded publishing project at the time. His second, "Romeo and/or Juliet," was published by Riverhead Books in 2016. Ryan and Molly are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published November 29, 2016. © Folger

There are a surprising number of characters in Shakespeare who propose or ask or even demand that someone tell their life’s story. (Think of Hamlet’s dying words to Horatio: “And in this harsh world draw thy breath in pain / To tell my story.”) While that may not seem surprising on the face of it – Shakespeare was a storyteller after all – this idea of re-imagining your life so that it tells a story was not a common one in Shakespeare’s time. In this episode of Shakespeare Unlimited, Harvard University’s Stephen Greenblatt expands upon the talk he gave earlier this year for the Folger Institute’s Shakespeare Anniversary Lecture Series, about how Shakespeare shapes characters and narratives. He also explores how the French Renaissance writer Montaigne influenced Shakespeare, and how Shakespeare pushed back on some of Montaigne’s ideas. Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University. He is the author of – among other books – "Will in the World: How Shakespea

How does Shakespeare portray girls and girlhood in his plays, and what do those portrayals tell us about life in Elizabethan and Jacobean England? Our guest for this Shakespeare Unlimited episode, Deanne Williams of York University in Toronto, is the author of Shakespeare and the Performance of Girlhood, published in 2014. She is interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published November 1, 2016. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Why, here's a girl!” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from the News Operations Staff at NPR in Washington, DC. http://www.folger.edu/shakespeare-unlimited/girlhood

Gallaudet University in Washington, DC, is the world’s only university designed to be barrier-free for deaf and hard of hearing students. For more than 150 years, its students have been performing Shakespeare without spoken words. This month, the Folger Shakespeare Library’s nationwide First Folio tour stops at Gallaudet, which also has a companion exhibition called “First Folio: Eyes on Shakespeare,” curated by Jill Bradbury, a Gallaudet English professor. In this podcast she takes us on a tour of the exhibition and of the world of Shakespeare in sign language. Transcript here: http://www.folger.edu/sites/default/files/ShaxUnlimited_Gallaudet_Transcript.pdf Jill Bradbury is interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published October 18, 2016. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Altered much upon the hearing it,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Feringto

For ten years, Laura Bates, a professor at Indiana State University, taught Shakespeare to a group of inmates considered the worst of the worst – men incarcerated in the solitary confinement unit at Indiana’s Wabash Valley Correctional Facility. These are, for the most part, prisoners considered so dangerous they were kept apart, even from the other prisoners. Every week, Professor Bates would drive out to the prison, make her way over to solitary confinement and sit down in a space in between the cells of these men to discuss Macbeth, Hamlet, Othello and Richard II. She wrote about her experiences in a book titled "Shakespeare Saved My Life: Ten Years in Solitary with the Bard." Laura Bates is interviewed by Barbara Bogaev. This Shakespeare Unlimited episode, "How I May Compare This Prison Where I Live Unto The World" was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. Audio of the inmates Laura w

The curses associated with the Scottish play. Using a real skull for the Yorick scene in "Hamlet." Over the centuries, these and other fascinating theatrical anecdotes have attached themselves to the plays of William Shakespeare. Many of these stories have been told and re-told, over and over, century after century – with each new generation inserting the names of new actors into the story and telling the story as if it just occurred. So “One night David Garrick was backstage” becomes, “So one night Edmund Kean was backstage” which then becomes, “So one night Richard Burton was backstage.” And so on. Our guest, Paul Menzer, is a professor and the director of the Shakespeare and Performance graduate program at Mary Baldwin College in Staunton, Virginia. His book "Anecdotal Shakespeare: A New Performance History" was published by Bloomsbury Arden Shakespeare in 2015 He was interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published September 20, 2016. © Folger Shakespeare Libra

Today, the first collected edition of Shakespeare’s works, printed in 1623, can sell for millions of dollars. But the First Folio wasn’t always valued so highly. In this podcast episode, two experts in the First Folio and the book trade, Adam Hooks and Dan De Simone, chart the rise of the First Folio—how and when this book became a cultural icon with such a dizzying price tag. Adam Hooks is an Assistant Professor in the Department of English at the University of Iowa and author of “Selling Shakespeare: Biography, Bibliography, and the Book Trade.” Dan De Simone is the Eric Weinmann Librarian at the Folger Shakespeare Library. They were interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published September 6, 2016. © Folger Shakespeare Library. All rights reserved. “A Volume Of Enticing Lines” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from Ji

Being a patient in Shakespeare’s time was an adventure. You might be told to drink liquid gold or syrup of violets. You might undergo a violent purgation to take the bad humors out of your body. They might draw blood from your ankle or your arm. But while these prescriptions seem laughable today, elements of the thinking they were based on have come all the way down to us in the 21st century. That thinking, though it might seem unrelated to Shakespeare's stories, is surprisingly present in his writing. Neva Grant interviews Gail Kern Paster and Barbara Traister about medicine in the era when Shakespeare was writing. Gail Kern Paster is the Folger’s director emerita, and Barbara Traister is professor emeritus of English at Lehigh University and the author of “The Notorious Astrological Physician of London: Works and Days of Simon Forman.” From the Shakespeare Unlimited podcast series. Published August 23, 2016. © Folger Shakespeare Library. All rights reserved. “I Know My Physic Will Work With Him” was pr