Piper's Dojo Audio Experience

What makes someone ready to move up a grade? Should competitive Highland pipers explore other bagpipe traditions? Why do drones seem to have a mind of their own? And do tone enhancers actually work?   It's a mailbag episode! This week, Andrew and Jim tackle another round of listener questions, covering everything from grade progression and competition mindset to drone troubleshooting and equipment myths. Along the way, they explain why focusing on what you can control is one of the fastest ways to improve, and why social media popularity isn't always a reliable measure of piping ability.   Here's what we cover in this episode:   00:00 – Catching up before another mailbag session 00:37 – Listener questions: what's on pipers' minds this week? 02:28 – Moving up to Grade 4: choosing tunes and knowing when you're ready 04:25 – Are Grade 3 tunes actually more difficult than Grade 4? 06:50 – What solo competitions are really judging (and what they aren't) 13:34 – Why focusing on controllable factors

How much music theory does a bagpiper really need? In this week's Friday Strike-In, Andrew and Carl dig into what "music theory" actually means for pipers, and why you may already know more than you think. Along the way they cover practical tuning advice, playing with other instruments, bagpipe notation software, and finish with a lighthearted brainstorm of bagpipe-inspired baby names. . Here's what we cover this week:0:00 – What is music theory for bagpipers?4:45 – Playing with other instruments and concert pitch16:03 – The circle of fifths: useful or unnecessary?17:30 – How to tune your chanter to your drones29:17 – The best bagpipe music notation apps34:21 – Community Q&A: drumming, summer schools, Dojo history & tune player fixes39:58 – The best (and worst) bagpipe-inspired baby names Want to join these live Q&A sessions, ask your own questions, and learn from world-class instructors every week? Join us at Dojo University today: https://pipersdojo.com/store

Piobaireachd has a reputation for being ancient, mysterious, and governed by strict traditions. But how much of what we think we know about this music is actually history... and how much is simply the result of chance? In Part 2 of their Introduction to Piobaireachd series, Andrew and Jim explore the remarkable journey of piobaireachd through the collapse of the clan system, the aftermath of Culloden, and its unlikely revival during the Industrial Revolution. Along the way, they uncover how competitions, wealthy patrons, early music publishing, and even printing errors helped shape the tradition we know today. Rather than there being a single "correct" way to play piobaireachd, the music has always evolved through interpretation, adaptation, and the personalities of the great players who passed it on. If you've ever worried about getting piobaireachd "right," this episode might completely change your perspective. Here's what we cover in this episode: 00:00 – Toyota Corolla vs. Camry: an unexpected cold

Ever wondered why bagpipes are tuned "wrong" on purpose?   This week, Andrew and Carl answer your piping questions on everything from why high A isn't actually tuned perfectly, to bagad bands, high-altitude piping, reversed-handed playing, fixing sharp high Gs, and the mystery of an unexpected E pickup in one of piping's classic tunes.   Here's what we cover this week: 0:00 – Why bagpipes are tuned to the drones, not equal temperament 2:38 – The science behind high A and why pipers flatten it
 9:50 – Why top bands "cheat" notes like D, F and B
 12:23 – Teaching young pipers the right tuning habits
 15:12 – Playing with bagad bands and different chanter pitches
 16:43 – The history of bagad bands and Breton piping
 19:42 – What Scottish and Breton pipe bands have in common
 21:25 – Should you learn to play with the opposite hand?
 26:55 – How to use a manometer correctly
 28:59 – Fixing a sharp high G: where to start


Sometimes the best piping stories start with a simple question: “Can you bring your pipes?”   Not all of them end up playing on a rooftop with NFL legends, becoming a viral sensation playing alongside Grimace, or partying with the 60,000-strong Tartan Army though…   This week, Andrew and Jim are joined by Matt McArthur – a Quincy, Massachusetts-based piper, comedian, and longtime friend of Andrew’s from their days studying under legendary piper Donald Lindsay at Invermark Piping School in 1998.   Matt tells us how a throwaway joke at a comedy show escalated into national TV appearances, NFL legends, and becoming the unofficial mascot of the Tartan Army. From piping on a penthouse rooftop alongside Gronk and Julian Edelman, appearing in a White Claw ad he didn’t know he was part of, and having a dance-off with Grimace, this is one World Cup adventure you won’t believe.   We also talk about the power of just getting the pipes out and playing for people – because som

Ever feel like your pipes have gone from a passion to a chore? On this week's Q&A session, Andrew and Carl tackle your questions about keeping the passion alive, avoiding piping burnout, setting up your practice space, getting the most from your reeds, recording yourself, and more. Here's what we cover this week: 0:00 – Dealing with bagpipe burnout 6:50 – Getting ahead of burnout before it starts 6:50 – Is your practice room too small? 11:32 – How much should you play your band reed? 17:18 – Making the most of the Tartan Army's viral moment 20:02 – Multi-track recording tips 24:08 – The moose valve disaster 27:10 – Will live audio judging catch on at more competitions? 31:33 – Why competition results can take time to appear Want to join our weekly Q&A sessions live, or get your piping questions answered? Check out our membership options: https://pipersdojo.com/store  

Most pipers know that bagpipes don’t always play nicely with other instruments. But why is that? And is there actually a simple way to fix it?   This week, Andrew and Jim revisit how to tune bagpipes to other instruments, diving back into 'just' vs 'equal' temperament to explain why the Great Highland Bagpipe sits so far away from concert pitch, and what that means when you try to play with guitars, pianos, or other instruments.   Exploring everything from the physics of pitch and the history of how the bagpipe ended up being called an “A” instrument, to pitch creep, B-flat chanters, and practical ways to bridge the gap, they discuss the idea that playing with other musicians is really just a matter of understanding the “currency conversion” between bagpipe pitch and the rest of the musical world.   Here’s what we cover in this episode:  00:00 – Why don’t bagpipes sound good with other instruments? The pitch problem explained  01:43 – The drone dilemma – why the bagpip

Real Feedback Month has officially kicked off at Dojo U! On this week's Q&A session, we explain how to get the most out of this special monthly theme, then dive into our regularly scheduled burning piping questions, covering a range of topics including competition etiquette, chanter reeds, tone enhancers, tuning habits, and more. Here's what we cover this week: 0:00 – Real Feedback Month begins 2:28 – Recording and submission tips 11:57 – Sunglasses at competitions 17:38 – Rubber bands on chanter reeds 22:37 – What to do with a reed that's too hard 26:00 – The D throw and teaching methods 32:18 – Tone enhancers: pros and cons 40:12 – Starting drone tuning from sharp 43:12 – An unexpected Isle of Skye story Want to participate in Real Feedback Month, or join our weekly Q&A sessions live? It's never too late to get started! Check out our membership options: https://pipersdojo.com/store

Most advice about becoming a better musician sounds simple enough. But is any of it actually useful? This week, Andrew and Jim work through an article by a veteran bass player and music journalist who offers five tips for becoming a better musician. Exploring everything from self-promotion and procrastination to talent, bravery, and the appeal of "getting back to basics", they take a few tangents (as per usual) into the tenets of stoicism and the ways musicians often try to avoid the work they already know they need to do. Here’s what we cover in this episode: 00:00 – The article, the author, and why his advice caught our attention 03:02 – Tip #1: Embrace the Hustle – networking, reputation, and why relationships matter 11:25 – What Would Ken Do? – lessons in community, generosity, and positive influence 12:03 – Tip #2: Get Out of Your Comfort Zone – overcoming procrastination and adapting when life gets busy 15:58 – Seneca has joined the chat – uncertainty, stoicism, and taking action now 21:58 –

This week on Dojo U’s "Strike-In" Q&A, Andrew and Carl launch our special "Real Feedback Month" – you can join Dojo U before June 5th for a free 30-day trial and get direct feedback on your real summer repertoire through live critiques, recording reviews, and 15+ weekly classes designed to get your piping performance-ready for the season ahead. They also tackle listener questions on chanter tuning, synthetic reeds, blowing efficiency, recording gear, pitch standards, and more. Here’s what we cover this week: 00:00 – June’s Real Feedback Month: how it will work and how to get involved 04:43 – Fixing a chronically sharp high G: warmups, carving myths, reed positioning, moisture control systems, and alternative chanter modifications 14:03 – Synthetic chanter reeds: thoughts on the Highland Bagpipe SureFire reed, why synthetic drone reeds have succeeded more easily, and what’s still missing from synthetic chanter technology 19:20 – Reed gurgling on E: what causes it, why overblowing is usually the

Pìobaireachd can feel intimidating for so many pipers… so why do the people who fall in love with it become completely obsessed? In this first episode of a new multi-part series, Andrew and Jim explore the historic, musical and sometimes mysterious world of pìobaireachd (piob mhòr, the big music, or “peeb-rock”) — the classical music of the Great Highland Bagpipe. They unpack the myths, traditions, gatekeeping, history, and genuine beauty surrounding the art form, while making the case that piob isn’t just for elite competitors or music scholars. It’s a completely different way of experiencing music on the pipes. They explore why piob can feel so inaccessible at first, the parallels between tradition and storytelling, and why learning even a little pìobaireachd can fundamentally change the way you hear and play the instrument. Here’s what we cover in this episode: 00:00 – Introducing piping’s forbidden dinner-table topic 00:40 – Why pìobaireachd can feel like a secret society (and why that barrier exists) 02:

This week on Dojo U’s "Strike-In" Q&A, Andrew and Carl tackle students' top-voted questions covering everything from competition tempos and reed setup to drone threading, posture, and grading standards. Here’s what we cover this week: 00:00 – Welcome & intro 00:07 – Threading drone reed seats: the pros, cons, and ongoing debate. Does it change the sound? Is it reversible? And should you do it on vintage or high-end pipes? 07:00 – What actually separates the grades? A practical breakdown of Grade 5 through Professional, including what players should realistically be aiming for at each level 14:40 – Using the Two-Week Tune of the Week process for competition prep: applying the freedom phase approach to building and polishing solo or band repertoire 19:10 – Andrew’s move to St. Andrew’s College: will he continue playing with Inveraray? A look at how yearly “renewals” work and what he shared during the interview process 21:30 – Do bagpipes make people look better in photos and videos? Why posture matters

What if the reason your pipes sound incredible on their own… is the exact reason they clash with everything else? This week, Andrew and Jim dig into one of the most fascinating (and frustrating) realities of bagpiping: why the instrument’s beautiful, locked-in sound can feel completely at odds with a piano, organ, or other orchestral instruments. It all comes down to two competing systems of tuning – so buckle in for a music nerd deep dive into just intonation vs equal temperament, why they are often at odds with each other, and what you can actually do about it in real playing situations. Here’s what we cover in this episode:00:00 – Perfect intervals and the bagpipe’s unique tuning identity00:22 – Intros, hats, and an unexpected Albany geography tangent05:49 – Just vs equal temperament: what are we actually talking about?08:03 – Why the drone locks bagpipes into just tuning13:21 – A practical demo using 100 Hz to explain pure intervals17:00 – The ratios behind the bagpipe scale (B, C#, D, E, F#, G)22:32 – Eq

This week on Dojo U’s "Strike-In" Q&A, Andrew and Carl dig into everything from reed disasters and confusing judges’ comments to tuning, piobaireachd mindset, and band dynamics. Here’s what we cover this week: 00:00 – Exhibit D: introducing the new segment breaking down piping-related social media images 01:25 – A crushed, darkened reed: what it reveals about mold, storage, and poor setup habits 06:18 – Another smashed reed: how it happens (yes, the chanter cork) and a simple pre-play check to avoid it 10:01 – Matching shirts Q&A: “Who’s the nice one?” (inspired by Ed Best) 12:45 – Piobaireachd: is it more about mental endurance or technique? 20:38 – “Pipes tuned too close”: making sense of confusing or contradictory judge feedback 27:46 – Struggling to hear locked-in drones: how to actually develop your ear (and why it never really ends) 37:20 – Favourite places to play: from the World’s to the band hall when everything clicks 40:56 – Demoting players in a band: how to handle it clearly, fairly, and

What if trying to be relaxed when you play is actually a kind of denial – one that could affect your overall development as a piper? This week, Andrew and Jim explore what real control and calm actually look like in practice, why rushing and cramping show up when they do, and how many players end up stuck in a kind of “false chill” that can limit progress. Here’s what we cover in this episode: 00:30 – Why “just relax” isn’t helpful advice 01:10 – The myth of the chill player (and a Bob Marley detour) 01:36 – The chill–tension continuum: finding your baseline 05:29 – Recording anxiety and the tendency to rush 06:05 – Hand cramping and fears around focal dystonia 06:46 – Stuart Liddell’s playing and the sound of real ease 09:57 – Reactive vs proactive rhythm: why rushing happens 10:59 – “Pretending to be relaxed” – spotting avoidance 11:16 – How responsibility changes your relationship to “chill” 12:51 – Pre-chill, false chill, and what’s really going on 13:34 – Why most “chill” is actually denial 14:58 – Pre-

This week on Dojo U’s Friday Strike-In Q&A, Andrew and Carl tackle a wide range of piping questions – from chanter choices and reed behaviour to rhythm fundamentals, travel tips, and getting the most out of your Dojo membership. Here’s what we cover this week: 00:00 – Poly vs. blackwood chanters: are plastic chanters becoming the new standard? 04:12 – Retuning on the fly: what to listen for when your drones drift mid-performance 06:38 – Tapping your foot while playing: why it’s harder than it sounds (and how to build it) 12:32 – Why reeds change day to day: consistency, moisture, and the real culprit 21:30 – Teaching beginners: should you learn all 11 Commandments of Mastery? 24:17 – Flying with your pipes: what you actually need (and what you don’t) 37:28 – Submitting recordings for feedback: how to get the most from Dojo coaching 39:41 – Basic vs. Premium: what solo pipers unlock with a premium membership

Should you be messing with your chanter reeds?    This week, Andrew and Jim discuss the pros and cons of reed manipulation — pinching, licking, shaving, bridling, and everything in between. Are these habits actually helping your playing, or just creating more problems?   Reed tweaks can feel like quick fixes. But as Andrew and Jim explore, most of them are temporary, inconsistent, and quietly destructive. Drawing on personal experience (and a few cautionary tales), they unpack why so many pipers reach for manipulation in the first place — and what to do instead.   Here’s what we cover in this episode:  00:12 – Skateboarding, chess, and the joy of being bad at things  03:08 – Why reed manipulation is today’s focus  03:26 – The performance supplements analogy (and the Icarus connection)  08:57 – Reeds as precision instruments: why less is more  15:23 – Why all manipulation is (technically) destructive  17:56 – Buying hard reeds to shave down: risk vs

This week on Dojo U’s Friday Strike-In, Andrew flies solo to answer a wide range of student questions, from solo playing tips to tenor reed management, pitch standards, finding a practice space after moving, and more. Here’s what we cover this week: 00:00 – Solo playing insights 03:55 – Changing tenor reeds: one at a time or both? (plus transitioning from synthetic to cane) 10:37 – Practicing full pipes in a small apartment after moving (and piping vs married life) 15:28 – How high is too high? Understanding pitch standards for bands and solos 23:02 – Do you have to join a band? Navigating limited local options 26:30 – Piping in Scottish schools: professionalism, curriculum, and the SQA 29:31 – Squeezing arm movement: when is it a red flag? 30:50 – Fixing hemp stuck in the chanter seat when removing a reed 33:18 – Practice chanter priorities: moisture control vs realistic spacing 34:21 – Drones in battle: cardio benefit or myth? (history + debate) 35:56 – Returning to traditional gear: where to start with hi

Ever felt your heart race, your hands shake, or your mind go blank before playing? This episode will help you understand why... and what to actually do about it.   Nerves can feel paralysing for pipers (or any performer). But they're a natural part of performance, and when understood properly they can become one of your greatest tools as a musician.   This week, Andrew and Jim dig into why performing feels so different from the practice room, drawing on insights from violinist and educator Maggie Watson. They explore how perception shapes physiology, why even highly trained players can feel more nervous than beginners, and what separates practice from performance as two completely different disciplines.   Here’s what we cover in this episode: 02:13 – Why performance nerves are today’s focus 03:11 – “I have thoughts, but I’m fallible” – Andrew’s disclaimer 04:41 – Why performance feels different from practice (Maggie Watson) 09:23 – Practice vs performance: two separate skill

Getting better at piping isn’t about chasing every new piece of gear — it’s about understanding how your instruments, your ears, and your environment all work together. This week on Dojo U’s Friday Strike-In, Andrew and Carl tackle student questions on cane drone reeds, ear training, synthetic chanter reeds, competition judging, and more practical piping topics.  Here's what we cover this week: 00:00 – Old cane reeds vs buying new 06:33 – Cane season, setups, and batch buying 10:00 – When cane won’t cooperate (weather and ageing) 12:45 – Championship-winning reeds nostalgia 15:20 – Training your ear to understand judges 18:00 – Should score sheets be public? 20:10 – Why not to stress about ear training 23:30 – Synthetic chanter reeds — challenges and demand 27:00 – Ridge-cut reeds feeling easier after warm-up 29:45 – Member directory: privacy vs connection 31:30 – Ideal 6/8 tempo for drum majors 33:20 – Efficient drone reeds for lighter setups 35:00 – Do quartets improve band unison? 38:3