The Incomparable

Put on your helmet, strap on your rocket pack, and stash that chewing gum somewhere, because it’s time to discuss 1991’s throwback adventure film “The Rocketeer.” Timothy Dalton chews the scenery! Billy Campbell is a bad boyfriend! Every character actor ever makes an appearance! Gangsters join forces with the Feds to fight Nazis! Jennifer Connelly… is also present! And there’s a Zeppelin!

In the wake of the enormous success of “The Sixth Sense”, M. Night Shyamalan’s follow-up “Unbreakable” was seen as a disappointment, but we think it deserves a critical reappraisal. 2000 was a desert for superhero movies, but “Unbreakable” actually seems more impressive after 15 years of modern takes on the genre. We discuss the film’s interesting color palette, the weight of a full paint can, the water-resisting qualities of Bruce Willis’s green poncho, why anyone would like the colors rust and brown, and the practicality of Samuel L. Jackson carrying a glass cane. And stick around—I hear this one’s got a surprise ending.

Our survey of terrible movies from various decades returns with a stop in the 60s, to visit 1965’s low-budget spectacle, “The Wizard of Mars,” featuring John Carradine in the title role as one of the horrors of the red planet. How many parallels are there between this film and “The Wizard of Oz”, really? Why are caves on Mars so peaceful? How much oxygen does it take to stay alive on Mars? Join us as we laugh to keep from crying—we’ve come all this way, there’s no reason to turn back now!

Our walk through the films of animation master Hayao Miyazaki continues with 1986’s “Castle in the Sky.” From floating princesses to angry pink pirates to exciting train chases, this film—set in a sort of steampunk Wales—has it all. Oh, and did we mention the airships? It wouldn’t be a Miyazaki movie without flying things and lots of clouds.

The Incomparable’s Book Club reconvenes to discuss two books from the past about future dystopias: Ray Bradbury’s “Fahrenheit 451” and George Orwell’s “Nineteen Eighty-Four.” Is Bradbury just angry about reality TV? Does Orwell just want you to read his essay about language? Can we read these famous books without bringing along our preconceived notions of what they’re supposed to mean? At what temperature do Kindles burn? Don’t worry—in the end this entire episode is going down the Memory Hole.

Remember, remember, the fifth of November… We discuss the 2005 film “V for Vendetta” and the Alan Moore and David Lloyd comic series that inspired it. Who, if anyone, is the hero of the film? How did the Wachowskis adapt the 1980s comic’s sensibilities to the 2000s? What’s with the film’s strange structure and surreal visual choices? And, most importantly, is V a man, an idea, or both?

You’ve heard us talk about the best of “Black Mirror”, now hear us talk about… the rest of “Black Mirror.” Cut from the main episode for time, here’s our (unedited) discussion of “Fifteen Million Merits”, “The Entire History of You”, “The Waldo Moment”, “Playtest”, “Men Against Fire”, “The National Anthem”, “White Bear”, and “Shut Up and Dance.”

Charlie Brooker’s anthology TV series “Black Mirror” has been compared to “The Twilight Zone”, with its dark, twist-laden tales about the advance of technology and how it affects society. Does it live up to the hype? Our panel watched all 13 episodes—all currently available on Netflix—and is here to report back on the strengths and weaknesses of the series. We also discuss our five favorite episodes in detail, so you can skip to the highlights if you don’t want to utterly darken your soul.

Comic book movies got you down? Too much of the same old thing? This episode has the cure for what ails you, as we pitch a bunch of great comics that we’d like to see get the big-screen treatment that would be guaranteed to enliven the genre. And maybe along the way, we’ll add to your comics reading list, too.

Grab your flowerpot and engage the rainbow drive! It’s time to discuss Steven Spielberg’s “E.T.: The Extra-Terrestrial,” the film that eclipsed “Star Wars” as the biggest grossing film of all time. What makes the film a perfect time capsule of being a kid in 1982? Does it hold up to modern eyes? Is it science fiction, fantasy, magical realism, or something else? Where did all those frogs come from? Hey, he’s an alien, we don’t know what he’s capable of.

We begin an ongoing series of looks at the Batman film series with the first two modern entrants, Tim Burton’s “Batman” and “Batman Returns.” Tony educates us on the most important traits of Batman. We recall the marketing campaign that put the bat logo on everything. We spend a lot of time breaking down the first film, and…. yeah… “Batman Returns” is also a movie that exists.

It’s time to send 2016 into oblivion! Our four most commonly-heard panelists join Jason for a look back at our favorite media stuff of last year. Then we recall some of the best episodes and moments from The Incomparable in 2016.

Striking from a hidden base, our rebellious European podcasters have once again taken over the Incomparable Death Star—er, Zeppelin—to provide their own unique opinions on “Rogue One,” the latest Star Wars film.

Put on your Kyber crystal necklace, don a stylish white cape, and keep the Force with you! It’s time to break down “Rogue One,” the first big-budget live-action non-saga “Star Wars” film. We discuss how the film juggles its many characters and settings, the issues with reviving past film elements through CGI, the splendor of Darth Vader’s bachelor pad (and the weirdness of his bathroom), the unexpectedly spectacular space battle, the vacation plans of the Empire’s records division, the film’s strange disconnection with its teaser trailer, and a whole lot more.

Get your cowboy hat and your favorite Radiohead playlist, because it’s time to venture into the park for our first-season review of HBO’s “Westworld.” Is Anthony Hopkins running Westworld the park or “Westworld” the show we’re watching? Why can’t the Man in Black take a hint? Who is good and who is evil? Are the hosts sympathetic characters or empty, scripted shells? (And can’t you ask that question that about any fictional character?) We provide some quick analysis and also ponder where the show might take us in season two.

As a new “Star Wars” movie nears its release, we turn our attention to some of our least favorite features of this franchise we love. Our panelists draft our least favorite Special Edition changes, retcons, Original Trilogy and “Force Awakens” elements, and more. Plus we each pitch a new “Star Wars” movie that can right a wrong in the existing canon.

We deconstruct and reconstruct the recent release “Arrival,” staring Amy Adams, Jeremy Renner, and Forest Whitaker, and based on a story by Ted Chiang that we discussed nearly 300 episodes ago. There’s praise for the story’s restraint, quiet tone, beautiful scenes of solitary obelisks in remote cow pastures, and realistic portrayal of its main characters. We also enter a spirited debate about the film’s sci-fi plot mechanism, the way its aliens (and alien language) are portrayed, and the morality of a choice that one character may—or may not—have made.

Submitted for your approval: A discussion of one of the finest and most influential television series of all time, “The Twilight Zone.” We dive into a few handpicked episodes and try to explain the reason why the show still resonates more than 50 years later. Is Anthony really just a misunderstood kid? Why do we hope that the Air Force re-uses its flying saucers? How much Shatnering is too much? And how many years should you let cherry brandy age? You’ll be shocked by the twist at the end of the story. (It turns out we were the monsters all along.)

The epic film about the early days of the space race, 1983’s “The Right Stuff,” is on the launch pad this week. What does the film say about modern mythmaking? Can you have too much Chuck Yeager? Is this peak Dennis Quaid? Why do astronauts have to be test pilots instead of demolition-derby drivers? We’ll figure it out. Let’s light this candle!

Live from the Now Hear This podcast festival in Anaheim, it’s our supervillain/monster draft. What makes a villain super? When is hating a monster actually just a misguided case of space racism? Who—other than Lex Friedman—is the greatest monster of all? It might be you! Listen to find out!