The Incomparable

The Marvel Universe has wizards now? Yes, and “Doctor Strange” is the movie where we meet them. But more than anything, this is a character study of Mister Doctor himself, who is laid low by distracted driving and then has to rebuild his life by moving to Nepal, stealing books from a magical library, and getting half-frozen on the side of Mount Everest before being thrust into mystical battles against his will. Spectacular visuals! Mads Mikkelsen trapped in a wall! Tilda Swinton as a super weird ageless magical being (who was Asian in the comics)! Dormammu, we come to bargain.

Our Summer of Marvel rolls on with a movie we haven’t covered—2015’s delightful comedy heist film “Ant-Man”—as well as its brand-new sequel, 2018’s “Ant-Man and the Wasp.” We discuss de-aging Michael Douglas, the unlikely brilliance of casting Paul Rudd, the relentless competence of Hope Pym in the face of Scott Lang’s incompetence and the unpleasantness of her father, and everything we love about Luis.

Order some schwarma, because we’ve assembled a powerful panel to discuss Earth’s mightiest heroes. Our Summer of Marvel continues with a re-examination of three films we originally reviewed when they were released: “The Avengers”, “Avengers: Age of Ultron”, and “Captain America: Civil War”, which is really an Avengers movie when you think about it. How do they hold up? What works and, in hindsight, what doesn’t? Which characters benefit from Joss Whedon’s screenwriting tics, and which do not?

Thaw yourself out of the ice and wave a flag, because we’re revisiting “Captain America: The First Avenger” and “Captain America: The Winter Soldier” as we continue our walk through the Marvel Cinematic Universe. We discuss the charismatic power of Chris Evans, the smoothness of the Red Skull’s face, the unrecognizability of the Winter Soldier, our lack of trust in Robert Redford, and how Black Widow splits time between setting Steve Rogers up on dates and changing all the sizing tags on his clothing. Buy some war bonds and join us as we discuss that star-spangled man with a plan!

Take off your pants and prepare a long scene-setting speech about space mythology, because it’s time to discuss “Thor” and “Thor: The Dark World” as we continue our Summer of Marvel. We praise the excellent casting of Chris Hemsworth and Tom Hiddleston, as well as smaller players Stellan Skarsgård and Kat Dennings, while wondering about what went wrong with Natalie Portman’s Jane Foster. (Hint: It’s mostly the writing.) Perhaps most importantly, Jason finally sees what other people see in “The Dark World” that he doesn’t… even if he remains unconvinced.

The Summer of Marvel continues our walk through the Marvel Cinematic Universe with 2008’s “Incredible Hulk,” starring Edward Norton. Released weeks after “Iron Man”, it’s often ignored, and yet it’s a fascinating look at the decisions Marvel did (and didn’t) make as it built its film franchises. Also just for kicks, we compare and contrast with Ang Lee’s 2003 “Hulk” starring Eric Bana, because gamma dogs.

The Incomparable’s Summer of Marvel begins with a look back at 2008’s “Iron Man” and 2010’s “Iron Man 2.” How unlikely was it that a B-list Marvel Comics superhero nobody had ever heard of would end up kicking off one of the most successful film franchises of all time? How did perfect casting and a light touch with the subject matter pay off in this unlikely success? And how does the sequel balance being a second “Iron Man” film and the launch of a much larger franchise?

The Incomparable’s Book Club reaches the finish line of our annual SF/Fantasy award read, as we discuss the six nominees for the Hugo Award for best novel. From new series to concluded trilogies to standalone epics, this year’s list had a lot of variety. And for good measure, we throw in a few of the short-fiction nominees that we really liked.

Put on your leg warmers, insert your shoulder pads, and warm up your synthesizers. It’s time for us to take a time machine back to the 1980s, where our panelists will participate in a draft of their favorite musical albums from that decade. This is one episode that is guaranteed to be totally awesome.

Inflammable means flammable? What a country! It’s a perfectly cromulent thing to do, to pick quotes from “The Simpsons” in draft form. So we have assembled a learned panel of people who haven’t seen the show in years, bribed them with plenty of Malk (with Vitamin R!), and set them to choose their favorite lines from the most quotable TV show of all time. We hope you find this episode excellent. If you don’t, don’t blame us—we voted for Kodos.

Endlessly quoted, residing on every list of the best films of all time, you might think that “Casablanca”—released 75 years ago—is overrated and played out. Nope! It’s a fun film with romance, snappy ironic dialogue, and a stunning cast. And it’s also a fascinating historical document, given that it was written before Pearl Harbor and produced in the early days of America’s involvement in World War II, when the end of the war was anything but a foregone conclusion. We discuss the magical letters of transit, Captain Renault’s jocular amorality, Victor Laszlo the speechifying drip, Ilsa’s piercing stare, Major Strasser’s favorite cereal, Sam’s implausible piano handwork, the Ken Cinema in San Diego, and how the war was like a rap battle.

Fresh from the movie theaters, here’s our flash review of “Solo: A Star Wars Story.” In a world where there’s a new “Star Wars” movie every year, sometimes it’s a relief not to have the fate of the galaxy at stake. What are the rules of Sabacc? Are references the lowest form of fan service? Will casual fans be more enthusiastic than hard-core ones? Why watch droids fighting for entertainment when you have holograms? From train heists to floating space yachts to surprise cameos, we break it all down.

Our Book Club has reconvened to take you on a tour of the seven novels nominated for this year’s Nebula Awards, honoring the best in Science Fiction and Fantasy. After you listen your summer book list will be replenished! We liked almost all of these books, so there’s a lot to choose from—and only one of the six is a later book in a series, so you won’t have to do homework to get reading. Read them all and Jason will give you a gold star and a pizza party, but he’s eating all the pizza.

Climb aboard your sentient sailing ship, put on a high-fashion eye patch, and prepare for the big musical number—it’s time to talk about Season 3 of “The Magicians.” This is a series that just keeps getting better, and for our money, this was one of the best and most unexpected seasons of television we’ve seen in a long time. Along the way we mention Buffy, Star Trek: TNG’s “Darmok” and “The Inner Light”, and how the journey can be appreciated even when the story doesn’t quite stick the landing.

It’s time for the second episode in our series on “childhood canon”—the works we encountered as children that set us on the pop-cultural path we walk to this day. For the purposes of this discussion, “works” may also include furniture.

After seeing opening-weekend showings of Marvel’s “Avengers: Infinity War,” our panelists got together for a quick discussion of our first impressions, favorite moments, key complaints, and thoughts about where the Marvel Cinematic Universe goes from here. (If you haven’t seen the movie yet, don’t listen!)

What were the works we encountered as children that set us on the pop-cultural path we walk to this day? We begin a two-episode series on our individual childhood canon. Also, John McCoy would really like you to find a movie he remembers seeing as a kid.

Check that your documents are in order and prepare to make an unusual border crossing. “Counterpart” is a spy thriller with a science fiction twist. Featuring a great lead performance from J.K. Simmons and an incredibly strong supporting cast, this is a show that features exciting spycraft mixed with some serious questions about identity, the sum of our experiences, and the road not taken. We discuss the first season, with a spoiler horn before we get to the most surprising plot twists that lead into the show’s forthcoming second season.

His reputation precedes him. Harlan Ellison is probably one of the best writers of the last century, but he may be more famous (or infamous) for his irascibility, his lawsuits, and his reputed bad behavior. In this episode, six people (two of whom are Ellison novices) read six of his most lauded short stories and discuss the man and his words.

It’s our 400th episode. What better way to celebrate than with a draft featuring some of our most prolific panelists? We pick topics both impractical and practical, and works both unrealized and culturally vital. (Don’t ask questions.)