On The Media

In 2016, Christian talk radio host Eric Metaxas begrudgingly encouraged his listeners to vote for then-presidential candidate Donald Trump. By 2020, he pledged his life to fighting the “stolen election” while talking with Trump on the air. Ahead of the midterm elections, Metaxas and many of his fellow talk radio hosts made sure the falsehood of massive 2020 election fraud was top of mind — on the airwaves and beyond. And while election-denying candidates didn't do as well as many on the right had hoped, at least 170 such candidates have been elected to state and national offices, some of whom will be in charge of future elections. This week, reporter Katie Thornton introduces us to the company whose hosts never backed down from the lies of the stolen 2020 election: Salem Media Group, the largest Christian, conservative multimedia company in the country – and perhaps the most influential media company you’ve never heard of. Thornton traces the company’s rise to power from its scrappy start in the 1970s to the

In March 2021, when President Joe Biden announced the nomination of Lina Khan to be a commissioner at the Federal Trade Commission, the decision was met with a rare kind of excitement for the otherwise sleepy agency. The excitement seemed bipartisan as 21 Republican senators voted to confirm the commissioner. Not long after, then 32-year-old Khan was promoted to chairperson of the agency, making her the youngest chair in the FTC's history. Since then the tone around Khan has changed dramatically, as Republican commissioners at the agency have pushed back against what they see as a radical agenda. For this week's pod OTM correspondent Micah Loewinger speaks with Emily Birnbaum, a technology and lobbying reporter for Bloomberg, about a growing anti-antitrust movement emerging in the press and in Washington and why Khan has become its main target.  On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebo

A billion dollar defamation lawsuit has given the public an unprecedented view into the inner workings of Fox News. On this week’s On the Media, how the network’s election falsehoods reveal the company’s commitment to profit over truth. Plus, the story of how historical fiction became the unexpected darling of the literary world. And, how a historian grapples with gaps in our historical record. 1. Andrew Prokop [@awprokop], senior politics correspondent at Vox, and David Folkenflik [@mjs_DC], media correspondent for NPR News, on the latest revelations in Dominion Voting Systems' lawsuit against Fox News. Listen. 2. OTM producer Eloise Blondiau [@eloiseblondiau] takes a deep dive into how historical fiction became a rich resource for reckoning with our past, feat: Alexander Manshel, assistant professor of English at McGill University [@xandermanshel], and novelitsts Alexander Chee [@alexanderchee] and Min Jin Lee [@minjinlee11]. Listen. 3. Tiya Miles [@TiyaMilesTAM], professor of history at Harvard University

Fox News is in the fight of its legal life right now. Dominion is suing Fox News for 1.6 billion dollars in damages over false claims that it helped rig the 2020 elections for President Biden. Dominion’s legal team draws a direct line from the heated rhetoric of Fox hosts to the January 6, 2021 protests that became a violent siege of the US Capitol. And that forms the basis of an entirely different defamation suit, filed roughly 10,000 miles away. This time, the suit was filed by Lachlan Murdoch against a small Australian paper for an opinion piece that implied the Murdochs had some responsibility in the events of the January 6 insurrection. Guest host David Folkenflik speaks with Lachlan Cartwright, the Editor at Large of the Daily Beast where he covers power, crime, celebrity and justice, to get a look into the lawsuits and what they mean for the future of the Fox empire.  This is a segment from our October 7th, 2022 program, So Sue Me. On the Media is supported by listeners like you. Support OTM by donatin

The Supreme Court heard two cases this week that could upend Silicon Valley. On this week’s On The Media, a look at the fragile law holding the modern internet together. Plus, how a century-long PR campaign taught Americans to love the free market and loathe their own government.  1. Emily Birnbaum [@birnbaum_e], tech lobbying reporter with Bloomberg, Mark Joseph Stern [@mjs_DC], senior writer at Slate, and Emma Llanso [@ellanso], director of the Free Expression Project at the Center for Democracy and Technology, on two cases argued in front of the Supreme Court this week and how they could impact the future of the internet. Listen. 2. Naomi Oreskes [@NaomiOreskes], professor of the history of science at Harvard University and the co-author, with Erik M. Conway, of “The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market,” on century-old PR campaign, conducted by big business, to imbue Americans with a quasi-religious belief in the free market. Listen. 3. China Miéville, a

This week we're airing an interview that Brooke did while on a fellowship at the American Academy in Rome. She and her husband Fred Kaplan (author of the War Stories column in Slate), sat down with Mark Hannah, host of the podcast "None of the Above," produced by the Eurasia Group Foundation.  From the Crimean War of 1853 to Russia’s invasion of Ukraine this year, journalists, reporters, and the media have shaped the public’s understanding of war. But do the stories we read and the photos we see provide an impartial picture of the wars they document? As Hannah explained in Foreign Policy, certain aspects of American war coverage—reliance on government sources and incentives to simplify geopolitics as battles between good and evil—have long compelled news organizations to tilt toward military action. This interview originally aired on May 18, 2022. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Face

1. Julia Rock [@jul1arock], reporter at the The Lever, and Allison Fisher [@citizenfisher], director of the Climate and Energy Program for Media Matters for America, on why the Ohio derailment was a foreseeable disaster and how dearth of early media coverage, which failed to hold parties accountable, left space for distrust. Listen. 2. Gönül Tol [@gonultol], the founding director of the Middle East Institute's Turkey program and author of "Erdoğan’s War: A Strongman’s Struggle at Home and in Syria," on the impact of government corruption on Turkey's death toll after this month's earthquake. Listen. 3. Natasha Hall [@NatashaHallDC], a senior fellow at the Middle East Program at the Center for Strategic and International Studies, on the ways politics have played into a delay in aid in Syria. Listen. 4. Keren Landman [@landmanspeaking], senior reporter covering public health and emerging infectious diseases at Vox, on the risks of bird flu and if we should be worried about another pandemic. Listen. Music:Fallen

YouTube is one of the biggest media companies in the world. In 2020, we uploaded 500 hours of footage to the site every minute. And on average we watched over 5 billion videos every day. It’s a broadcasting machine so complex, it would make Marshall McLuhan’s head explode. OTM Correspondent Micah Loewinger has been obsessed with YouTube since he was 13. Last fall he sat down with journalist Mark Bergen to discuss his new book, Like, Comment, Subscribe: Inside YouTube’s Chaotic Rise to World Domination. According to Bergen, the founders of the site originally envisioned something more akin to Tinder than homemade TV. This is a segment from our September 30, 2022 program, Still Loading…. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

It’s a bird, it’s a plane… no, it’s a spy balloon. On this week’s On the Media, how to grasp a news event that’s equal parts concerning and absurd. Plus, the hunt for who poisoned the Russian dissident Alexei Navalny, and re-reading classic Russian novels in the shadow of the Ukraine war. 1. Jon Allsop [@Jon_Allsop], freelance journalist and author of the Columbia Journalism Review's newsletter The Media Today, on how to understand polarizing reactions to the Chinese spy balloon. Listen. 2. Christo Grozev [@christogrozev], lead Russia investigator at Bellingcat, and Daniel Roher [@DanielRoher], director of the documentary "Navalny," on investigating, and filming, Alexei Navalny's search for the truth behind his own poisoning. Listen. 3. Elif Batuman [@BananaKarenina], novelist and staff writer at The New Yorker, on revisiting classic Russian literature in times of war. Listen. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show

Thirty-four years ago, the Ayatollah Khomeini, the Supreme Leader of Iran, issued a fatwa calling for the assassination of the novelist Salman Rushdie, whose book “The Satanic Verses” Khomeini declared blasphemous. It caused a worldwide uproar. Rushdie lived in hiding in London for a decade before moving to New York, where he began to let his guard down. “I had come to feel that it was a very long time ago and, and that the world moves on,” he tells David Remnick. “That’s what I had agreed with myself was the case. And then it wasn’t.” In August of last year, a man named Hadi Matar attacked Rushdie onstage before a public event, stabbing him about a dozen times. Rushdie barely survived. Now, in his first interview since the assassination attempt, Rushdie discusses the long shadow of the fatwa; his recovery from extensive injuries; and his writing. It was “just a piece of fortune, given what happened,” that Rushdie had finished work on a new novel, “Victory City,” weeks before the attack. The book is being pub

On this week’s On the Media, what the data says about how boys and men are struggling today. Plus, the history behind Ticketmaster’s dominance in the live music industry, and how Hollywood trust-busting in the 1930s and 1940s unleashed an era of indie films. 1. Richard Reeves [@RichardvReeves], a senior fellow in Economic Studies at the Brookings Institution and author of the book Of Boys and Men: Why the Modern Male Is Struggling, Why It Matters, and What to Do About It, on the research that shows gender disparities growing in a surprising direction. Listen. 2. Moe Tkacik and Krista Brown [@moetkacik and @KristaKBrown], researchers at the American Economic Liberties Project, on how the grunge band Pearl Jam tried to take on Ticketmaster in the 1990s. Listen.  3. Peter Labuza [@labuzamovies], a film historian and researcher with the International Cinematographers Guild, on how a Supreme Court case broke up Hollywood's studio system and what this history can teach us about the present moment. Listen.  On the M

Former OTM producer Alana Casanova-Burgess is back with season 2 of her critically acclaimed podcast series, La Brega. This one is all about the music! For over a century, Puerto Rican musicians have been influential across the hemisphere. From the Harlem Hellfighters of WWI who helped develop jazz to the reggaetoneros who dominate today’s charts, Puerto Rican music is everywhere. We start the season with the island’s most celebrated composer Rafael Hernandez, who wrote beloved songs like “Lamento Borincano,” “Ahora Seremos Felices,” and “Perfume de Gardenias” – and one of the island’s unofficial anthems, “Preciosa.” It’s a love song written for Puerto Rico that praises the island’s beauty and, remarkably, also calls out the forces that oppress it. When Bad Bunny exploded onto the scene and became the most-streamed artist in the history of the world, it became undeniable that Puerto Rican lyrics – the poetry of what people sing about, the bregas in every chorus – resonate all over the hemisphere. In September

If millions of Americans have access to classified documents, can we really call them secrets? On this week's On the Media, a former Pentagon official explains how America’s bloated classification system came to be. Plus, a look at the stories we tell about Baby Boomers, and how our country might change after they’re gone. 1. Oona Hathaway [@oonahathaway], professor at Yale Law School and former special counsel at the Pentagon, on the complicated nature of classified documents. Listen. 2. Noah Smith [@VildeHaya], contributing reporter for The Washington Post, on how a video game led to leaks of military documents. Listen.  3. Philip Bump [@pbump], national columnist at The Washington Post, on his latest book 'The Aftermath: The Last Days of the Baby Boom and the Future of Power in America.' Listen.  4. Brian Lehrer [@BrianLehrer], host of WNYC's The Brian Lehrer Show, on the news events that defined generations. Listen.  Music: Passing Time by John RenbournAtlantic City by Randy NewmanEye Surgery by Thomas Ne

For decades, the Central Intelligence Agency has cultivated its appeal as an organization shrouded in secrecy, engaged in cutting edge tech and no-holds-barred espionage in defense of the US. It’s an image that sells in Hollywood. The CIA also assisted in the making of some movies about some real life operations. But as the agency ages, it continues to strive to stay up to date. In 2022, when the CIA turned 75, the agency launched operation:podcast. Brooke speaks with David Shamus McCarthy, author of Selling the CIA: Public Relations and the Culture of Secrecy, about the latest venture for the agency and the CIA's long history of public relations initiatives.    On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Many of us are still cookin’ with gas, but should we? On this week’s On the Media, a look at why gas stoves, and the political flame-war over appliances, are back in the news. Plus, why new research says we’ve left the golden age of science and technology. 1. Paris Marx [@parismarx], the host of the podcast ‘Tech Won’t Save Us,’ and the author of ‘Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation,' on the longstanding debate on electric cars in the US, and whether they really do enough to lower carbon emissions. Listen. 2. Rebecca Leber [@rebleber], a senior reporter covering climate at Vox, on how the controversy surrounding gas stoves is nothing new, and the gas industry's long PR campaign to convince the public that "cooking was gas" is just better. Listen.  3. William Broad [@WilliamJBroad], a science journalist and senior writer at The New York Times, on new research published in Nature that suggests that our mad sprint for scientific breakthroughs has slowed significantl

Human aspirations for technology are vast. One day, maybe we'll develop technologies that cure cancer. Rid us of viruses. Perhaps fix that pesky climate change. Even, deliver us from death altogether.... But is the increasing belief in salvation through technology just religion in new clothes? Meghan O'Gieblyn is the author of the book God, Human, Animal, Machine: Technology, Metaphor, and the Search for Meaning. In the fall of 2021 Brooke spoke to O'Gieblyn about the shared assumptions of Christian creationists and transhumanist tech leaders, the flawed metaphor of the mind as a computer, and the relationships of humans to the machines we build. This is a segment from our October 15th, 2021 program, Against the Machine. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Schools across the country are considering whether to ban the new AI chatbot, ChatGPT. On this week’s On the Media, a look at the ever-present hype around AI and claims that machines can think. Plus, the potential implications of handing over decision-making to computers. 1. Tina Tallon [@ttallon], assistant professor of A.I. and the Arts at the University of Florida, on the love-hate relationship with AI technology over the past 70 years, and Nitasha Tiku [@nitashatiku], tech culture reporter for The Washington Post, on history of the tech itself. Listen. 2. Geoffrey Hinton [@geoffreyhinton], a cognitive psychologist and computer scientist, on holograms, memories, and the origins of neural networks. Listen.3. Matt Devost [@MattDevost], international cybersecurity expert and CEO and co-founder of the global strategic advisory firm OODA llc., on the rise of AI-powered weapons and what it means for the future of warfare. Listen. Music:Original music by Tina TallonHorizon 12.2 by Thomas NewmanBubble Wrap by Tho

This week HBO is set to release its latest show, The Last Of Us, about two strangers, who end up on a perilous journey together through a zombie-infested post-apocalyptic America. The show, starring Pedro Pascal and Bella Ramsey, is based on a hit video game series of the same name. It should be an easy hit for the network. Yet, the show's creators have had to contend with what's known as the “video game curse.” Dating back to the 1993 Super Mario Bros. movie, adaptations of video games into film and television have left us with a long list of critical failures. From 2022's Uncharted, to the 2021 Mortal Kombat, and the 2016 Assassin’s Creed movie, which earned a whopping 19% on Rotten Tomatoes. This week, OTM Correspondent Micah Loewinger speaks with New Yorker writer and editor, Alex Barasch, about his latest piece ‘Can a Video Game Be Prestige TV?,’ if HBO's latest venture could finally break the infamous curse, and why studios continue to make productions based on video games.   On the Media is supported b

The start of a new year is a time to look both forward and back. On this week’s On the Media, hear how facing our climate’s fragility could inspire hope, instead of despair. Plus, a physicist explains how creation stories help us understand our place in the universe. 1. Luke Kemp [@LukaKemp], a Research Associate at Cambridge’s Centre for the Study of Existential Risk, on a new study that says we need to put more attention on the possibility of human extinction and other climate catastrophes. Bryan Walsh [@bryanrwalsh], editor of Vox’s ‘Future Perfect,’ also explains why our brains have a hard time processing catastrophes like climate change. Listen. 2. Mark Blyth [@MkBlyth], professor of International Economics and Public Affairs at Brown University, on how the economy is ultimately a mirror of our accomplishments, advances, fears, and mistakes. Listen.3. Guido Tonelli, a particle physicist at CERN, the European Organization for Nuclear Research, on the importance of creation myths, and what scientists can t

At the end of 2022, Congress passed legislation to ban TikTok from all government devices, citing data privacy concerns and potential ties between the app and the Chinese government. But this isn't the first time the incredibly popular social media platform occupied headlines. Ever since TikTok exploded worldwide in 2018, news outlets across the country have breathlessly reported on TikTok challenges, which they claim range from the bizarre (licking toilet seats) to the dangerous ("National School Shooting Day"). However, the actual reach and impact of these challenges remain mysterious — or, more often, minimal.  On the Media correspondent Micah Loewinger breaks down a short history of these TikTok panics, and looks into the failures of news outlets to judiciously report on overblown TikTok virality, as well as the cyclic paranoia that arises when we face new technology (think: comic books corrupting youth in the 1950s). He poses the question: haven't we been through this already?  Special thanks to New York